Ida additionally includes in the next paint: Once more she is seen from behind and busied. Hammershøi– like Ancher– plainly drew ideas for his work from the masters of the Dutch Golden Age, such as Pieter de Hooch, one of whose very own interiors from the Thyssen collection is included in the exhibit to contrast and comparison. This is from a somewhat later period, in 1911, when Hammershøi was leasing a home in Sorgenfri, north of Copenhagen.