PAT OLIPHANT AND NEWSPAPERS IN THE GRAVEYARD TOGETHER

His illustrations were greatly censored, not for political content (because there was none) however to make sure his drawings of livestock did not expose a glance of a bull’s pizzle.Following in the footprints of various other great political cartoonists such as David Low, Oliphant combated his method out of country Australia in 1964 to discover a nation with a market for his attacking political observations and effective drawings. As I wrote in The Comics Journal,< period design="color: # 010101; font-family:" IBM Plex Serif",

Georgia, Times,”Times New Roman “, serif; font-size: 16px;”> It transformed out that Oliphant’s skills were completely matched for the U.S. in the 1960s. The 1960s were a time of terrific political ferment and creative audacity, a time of Richard Nixon and the Vietnam war … The mix of Oliphant and 1960s America showed combustible chemistry.

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