Charles Loupot is kept in mind as one of France’s most prominent poster artists of the early the twentieth century. Charles Henri Honoré Loupot was birthed in Nice, France in 1892. In 1911, he took painting lessons and experimented with lithography at the Ecole des Beaux-Arts in Lyon. Loupot was selected as one of the 4 official poster artists to represent the 1925 International Exhibition of Modern Decorative and Industrial Arts. Loupot is one of the major designers in the background of the European poster. He is known for his posters for the furnishings of the Galerie Barbès, the Voisin cars and trucks, Peugeot, Twinning tea, Valentine paints, Ambre Solaire and over all St. Raphaël and the Canton Furs.
For even more extensive info on Charles Loupot, and for earlier works, see part 1.
 |
| This is component 2 of a 4-part series on the jobs of Charles Loupot: c1919 Fourrures, F. Canton & Cie. 129 x 90 centimeters 1919 Savon de Toilette Plantol, put le Teint 128 x 90 cm |
1919 SATO Valse Lente, Pierre Ferraris 34 x 27 cm
 |
| c1920 Cigarettes Egypiennes, Ophir 30 x 20 cm |
 |
|
 |
1920 Wäschemagazine Metzer 129 x 90 centimeters 1920 Philippossian & Carbon Monoxide Cigarettes Egyptiennes: An uncommon, smaller-format variation of one of Loupot’s a lot of compelling designs.”This Bedouin with slender fingers, with seductive eyes evocative the silent movie photos, and the black equine all include in the Oriental feel,” said Thierry DeVynk. In this instance, Loupot had many discussions with the advertiser, Phillipossian, and the black stallion is a personal nod to the manufacturer, who was an enthusiast of amateur horse racing.
![]() 1920 Philippossian & Carbon Monoxide Cigarettes Egyptiennes 88 x 60.3 cm 1920 Huile Lambert Pour La Bonne Table 128.8 x 89.8 centimeters
 |
< table align= "center"cellpadding=" 0"cellspacing="0"course="tr-caption-container
“design =” shade: # 18191a; |
 |
font-family: times; font-size: x-large; font-weight: bold; margin-left: automobile
; margin-right: car;”> |
 |
1920 Ch. Philippossian Automobiles, Genève 90 x 127.5 cm 1920s-30s Oréal: Before the Second World War, L’Oreal was not the international cosmetic titan it has considering that come to be, yet the tough job of the firm’s creator, Eugene Schueller, helped transform the business right into one of the cosmetic leaders in France. Schueller had a solid idea in
the worth of advertising and marketing and an excellent eye for innovative development. Amongst the top |
 |
| artists he commissioned to function for his business were Charles Loupot and Raymond Savignac. With all of the business’s different products, in a field where advertising and marketing was essential, L’Oreal commissioned a great deal of graphics. |
 |
1920s-30s Oréal original art work gouache 31.1 x 24.1 centimeters 1920s La Plus Économique (Lager) 80 x 60 cm
 1920s Caves Petrissans 101.6 x 64.7 cm
 1921 PKZ Burger-Kehl & C. 127 x 90 centimeters
 1921 Cailler Chocolat au Lait 128 x 90 centimeters
c1922 Sato, cigarettes Egyptiennes 30 x 20 centimeters
 c1922 La femme à la bathrobe rouge et bleue (The lady in the red and blue dress) illustration 28 x 23 centimeters
1922 Orell Füssli Arts Graphiques, Zurich 128.5 x 91 centimeters
 1922 50e ̀me Anniverssaire Resilient Chemises et Col 128 x 90 cm
1923 Voison Automobiles: In 1923, Gabriel Voisin, the deluxe car producer, commissioned Loupot (that had simply gone back to Paris after years in Switzerland) to develop a pair of posters promoting his autos. The results are 2 drastically different images. This poster is minimalistic, with a little red automobile versus what is basically an all-white history. The second image is the specific reverse – a colorless vehicle starkly highlighted versus a vividly-drawn, verdant woodland depicted in a Cezanne-esque style (See Swann sale 2449 Lot 97). The effect these two photos had was such that R.L. Dupuy, the head of a famous Parisian ad agency at the time, mentioned that the posters “went down like 2 rocks in the frog-pond of the advertising creativity”
 1923 Voison Automobiles 120 x 80 centimeters
 1923 Les Chaussures Cecil (Cecil Shoes) 158.6 x 113.6 cm
1923 Au Louvre Design to advertise the Grands Magasins du Louvre’s yearly white sale 127 x 92 cm
c1924 Two pochoir prints of Art Deco fashion (1) 46.75 x 27.25 centimeters
c1924 Two pochoir prints of Art Deco fashion (2) 46.75 x 27.25 centimeters
 1924 Grand Prix Suisse 14-15 Juin, Geneve 128 x 91 centimeters
 1924 Fourrures Canton 24 Rue de Bourg – Lausanne 128 x 90 centimeters
 1924-25 Frisson D’Automne Manteau de Fourrur (Autmn Shiver) (Fur Coat) 24.75 x 19 cm
1925 Texaco oil, original artwork ink, crayon and gouache 157.7 x 117.4
 1925 Stop-Fire 200 x 128 centimeters
 1925 Parfums L. T. Piver initial artwork 154.8 x 115.5 centimeters
1925 Foire Francfort (Frankfurt Fair) 117.7 x 78.5 cm
 1925 Fiera Internazionale, Francoforte (International Fair Frankfurt) 148 x 98 cm
 1925 Exposition Internationale des Arts 8.9 x. 40 centimeters
| |
1926 Dauphinet Chocolat Fondant au Lait, Cémoi 160 x 120 centimeters